{"title":"On Sale for the First Time","description":"\u003cp\u003e\u003cstrong\u003eDon’t miss this opportunity to discover art books on sale for the first time.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\n  Choose your favorites and get 20% off one book, 30% off two or more books,\n  and 40% off four or more books.\n  The discount is automatically applied at checkout.\n\u003c\/p\u003e","products":[{"product_id":"48399-guenter-fruhtrunk-werkverzeichnis-der-bilder-catalogue-raisonn-of-the-paintings-19521982","title":"Günter Fruhtrunk Werkverzeichnis der Bilder | Catalogue Raisonné of the Paintings 1952-1982","description":"\u003cp\u003eWith his pictures, G\u0026uuml;nter Fruhtrunk (1923-1982) created an autonomous, uncompromising oeuvre that made him one of the outstanding representatives of German painting in the post-war era. 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The catalog opens up kaleidoscopic perspectives on the growth and transformation of this genre in the 19th and 20th centuries. Along not only architecturally famous houses in Milan, Vienna, and New York, but also diverse paintings and costumes, posters and stage design models, caricatures and program booklets, a nuanced picture emerges of this constantly reinventing institution. 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He later studied in Europe and the United States, accepted American citizenship and is considered one of the special \"representatives of his generation who really understand both East and West and speak Chinese and English as a mother tongue\" (Phil Tinara) and thus also As a passionate painter on subtle, rebellious, sensitive, frenetic, mischievous and absurd, the visual language of the East and West merges into a hybrid.\u003c\/p\u003e\u003cp\u003eIn 2018 he took part in the overview exhibition \"Art and China After 1989: Theater of the World\" in the Guggenheim Museum, which showed the crème de la Crème of contemporary art. 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The book is an ideal travel companion and reference work for discovering art along over 100 kilometers of cycle paths.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65427-emscherkunstweg?_pos=1\u0026amp;_sid=104f15532\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eThe Emscherkunstweg is a cooperation between Urbane Künste Ruhr, Emschergenossenschaft and Regionalverband Ruhr (RVR). The project was re-conceptualized and expanded as a permanent offering from 2019 to 2023. 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It explores the idea of \"consciousness\" across all species and living beings, inquiring into the intelligence of animals, plants, and fungi, the sentience of machines, and interspecies communication. \u003cbr\u003eThe publication, edited by Lucia Pietroiusti and Filipa Ramos, features new texts from over fifty experts, including Marisol de la Cadena, Ted Chiang, Peter Gabriel, Amy Hollywood, Tim Ingold, Karrabing Film Collective, Kapwani Kiwanga, Elizabeth A. Povinelli, Merlin Sheldrake, Anna Lowenhaupt Tsing, and many more.\u003cbr\u003e\u003cbr\u003eCurator LUCIA PIETROIUSTI is the Head of Ecology at the Serpentine Gallery in London and the founder of the General Ecology project, which has been running since 2018. Pietroiusti works at the intersection of art, ecology, and the structure of systems. 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Art and Its Political Forms deals with groundbreaking artistic projects that have addressed current social issues in recent years and have sometimes triggered fierce controversies – or at least been misunderstood. The aim of the study, in the form of exemplary analyses, is to explore the remaining freedoms and qualities of contemporary political art, which is increasingly characterized by identity politics, cancel culture, and censorship. In eleven chapters, works by Lothar Baumgarten, Christoph Büchel, Sam Durant, Gelitin, David Hammons, Thomas Hirschhorn, Taring Padi, Wermke\/Leinkauf, Mark Wallinger, and the Center for Political Beauty are discussed. They represent the broad spectrum of an art that critically intervenes and is not content with self-referentiality or decoration. 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With over 100 illustrations, the book offers \u003cstrong\u003ea fascinating insight into the phase in which the young designer developed her distinctive style\u003c\/strong\u003e – characterized by clear lines, sporty elegance, and cultural exchange with the avant-garde of the 1920s.\u003cbr\u003e\u003cbr\u003e In Deauville, Biarritz, Monte-Carlo, and Cannes, Chanel created a new fashion for the modern woman – comfortable, stylish, and self-confident. \u003cstrong\u003eThe catalog documents not only her first boutiques and iconic jersey collections, but also the artistic influences from her surroundings\u003c\/strong\u003e, including Jean Cocteau, Pablo Picasso, and Serge Diaghilev's Ballets Russes. 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It is only certain that she was born on August 19, 1883, in Saumur (France). In 1910, she opened a hat studio in Paris, which was soon followed by other boutiques in Deauville, Biarritz, Monte Carlo, and Cannes. There, she developed a completely new fashion style: simple, sporty, elegant – and above all, liberating for the female body. Her jersey designs revolutionized 20th-century women's fashion and made Chanel one of the most important fashion icons of her time.\u003cbr\u003e\u003cbr\u003eCÉLIA BERNASCONI is Chief Curator at the Nouveau Musée National de Monaco. She specializes in the connection between art, design, and fashion history. In her exhibitions and publications, she highlights cultural networks and artistic movements of the 20th century with an interdisciplinary approach. 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