{"title":"Hatje Cantz Text","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA series dedicated to text and image, the diverse voices of art, curatorial practice, and criticism within contemporary discourse. Featuring writings by artists, art-theoretical essays, and contributions on contemporary life, culture, and aesthetics—all in an accessible paperback format.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAll titles are also available in digital formats.\u003c\/p\u003e","products":[{"product_id":"53753-richard-shiff-sensuous-thoughts","title":"Richard Shiff. Sensuous Thoughts","description":"\u003cp\u003eWhat happens when you not only observe one of the most famous artists of our time, but do so in the company of one of the best art historians, as well? You get an unusual publication, the reading of which opens the eyes in the truest sense of the phrase. In this book the American art historian Richard Shiff\u0026mdash;with his gaze schooled in phenomenology and his sense of detail\u0026mdash;joins readers for a look at the exceptional art of Donald Judd. These essays open up a multi-layered, sumptuous panorama of the American artist\u0026rsquo;s oeuvre. Without drawing attention to themselves, the essays completely aid in the perception of Judd\u0026rsquo;s art. Shiff\u0026rsquo;s rich framework allows it to shine brightly in constantly new, yet unique ways.\u003c\/p\u003e\n\n\u003cp\u003eRICHARD SHIFF (*1943) studied at Harvard, where he wrote his dissertation on Impressionism. He achieved fame primarily through his analysis of C\u0026eacute;zanne\u0026rsquo;s work, based on the philosophy of Merleau-Ponty. He is a professor of art history at the University of Texas.\u003c\/p\u003e\n\n\u003cp\u003eDONALD JUDD (1928\u0026ndash;1994) studied art history and philosophy and made himself a name as an art critic before becoming a world-famous artist in his own right. With the clear formal vocabulary of his visual work and the conception of his art museum, the Chinati Foundation in Marfa, Texas, Judd is counted among the major representatives of Minimalism.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755222278408,"sku":"9783775747509","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747509_51a80793-574b-430e-95c6-9ee1c092ad13.jpg?v=1744130505"},{"product_id":"59225-textwerk","title":"TextWerk","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eThe reader \u003cem\u003eTEXT\\WERK\u003c\/em\u003e gathers scholarly contributions on the artistic and academic-essayistic works of the renowned media artist, director, and author Hito Steyerl (*1966). How does Steyerl\u0026rsquo;s writing inscribe itself into her films and videos? How do these in turn feed back into her texts and exhibition practices? Interdisciplinarily conceived between media, theater, and cultural studies as well as art history, this anthology provides the first analysis of this central aspect of Steyerl\u0026rsquo;s work and includes an interview with the artist.\u0026nbsp;It also includes the current conditions of art reception in pandemic times. This publication was prompted by a digital workshop held in November 2020 in cooperation between the DFG Research Training Group \u0026quot;The Documentary: Excess and Privation\u0026quot; at the Universities of Bochum and D\u0026uuml;sseldorf with the Kunstsammlung Nordrhein-Westfalen.\u003c\/p\u003e\n\u003cp\u003eHITO STEYERL (*1966) is one of the most important contemporary artists. Her work reflects on the social role of art and museums, forms of presentation in the media, and critically examines the use of artificial intelligence. In 2020\/21, the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, together with the Centre Pompidou, Paris, showed her first retrospective.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755223884040,"sku":"9783775751889","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751889_b1a2219a-33a6-4404-90fe-7c3df432e878.jpg?v=1744139754"},{"product_id":"57506-stefan-roemer","title":"Stefan Römer","description":"DeConceptualize is based on the hypothesis that Minimalism and Conceptualism in artistic writing have laid highly relevant foundations for Artistic Research. Writing here serves as self-exploration, self-defense and self-empowerment, as well as notation, material or image.\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5023-3)","offer_id":41645948928177,"sku":"9783775750233","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5024-0)","offer_id":44573662839048,"sku":"9783775750240","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5025-7)","offer_id":44577201455368,"sku":"9783775750257","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750233_ff2fe07f-e427-4837-b006-21a75eabe87f.jpg?v=1766150115"},{"product_id":"57741-es-gibt-im-moment-keine-besseren-kuenstler-als-uns-in-deutschland","title":"HP Zimmer","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-ae0dbdb8-7fff-0cdc-28cf-58175c979efc\" style=\"line-height:1.2;margin-top:0pt;margin-bottom:8pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u0026quot;I have kept a diary since my school days,\u0026quot; HP Zimmer remarked in 1984. This is also true of the time of the artists\u0026#39; group SPUR he co-founded in 1957. He wrote to \u0026quot;seek my own point of view in the midst of often turbulent events and sometimes controversial debates.\u0026quot; This book presents representative excerpts from the manuscript, which was reviewed by the artist in the early 1990s. Stylistically aware and (self-) critical, Zimmer comments on the cultural and social climate of postwar Germany. He provides insights into the contemporary German art scene and its European network with close ties to the Situationist International. The debates\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003erecorded by Zimmer in his diaries \u0026ndash; about painting and artistic freedom as well as revolution, boxing matches, crime series, and the threat of nuclear war \u0026ndash; are still strangely relevant to us today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHP ZIMMER (1936-1992) studied at the Hamburg Kunsthochschule and the Munich Kunstakademie in the late 1950s. SPUR, which he co-founded, was one of the first post-war avant-gardes groups in the Federal Republic. In 1982, HP Zimmer became a professor of painting at the Hochschule für Bildende Künste in Braunschweig.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5075-2)","offer_id":41645949354161,"sku":"9783775750752","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5076-9)","offer_id":44573662871816,"sku":"9783775750769","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5077-6)","offer_id":44573662904584,"sku":"9783775750776","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750752_62311d76-c84b-4b03-9e3b-034702a3d760.jpg?v=1744287439"},{"product_id":"58109-why-art-criticism-a-reader","title":"Why Art Criticism? A Reader","description":"\u003cp\u003eHow is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate S\u0026ouml;ntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context?\u003c\/p\u003e\n\u003cp\u003eBEATE SÖNTGEN (*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group “Cultures of Critique: Forms, Media, Effects” and co-director of the program “PriMus - Doctoral Studies in Museums.”JULIA VOSS (*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5074-5)","offer_id":41645952696497,"sku":"9783775750745","price":16.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5092-9)","offer_id":44573665558792,"sku":"9783775750929","price":15.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5093-6)","offer_id":44573665591560,"sku":"9783775750936","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750745_38029e6f-cdb5-45fc-a0a6-a62f1839e5ba.jpg?v=1744147010"},{"product_id":"58088-max-porter","title":"Max Porter","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-df891824-7fff-a497-9d7d-ae41281a549f\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-54c4f5b7-7fff-497f-5817-a75a932ab48e\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eMax Porter\u0026#39;s book is a fragmentary, poetic reinterpretation of Francis Bacon\u0026#39;s last days in Madrid. In seven chapters, \u0026quot;Untitled,\u0026quot; he invites the reader to experience the painter\u0026#39;s examination of his extraordinary life and work. (Employing a lyrical and haunting language, Max Porter draws near to the artist.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMAX PORTER (*1981) studied art history and worked as a freelance bookseller and editor. His internationally acclaimed debut novel, Grief is the Thing with Feathers, was the winner of several awards.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5064-6)","offer_id":41645959053489,"sku":"9783775750646","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5082-0)","offer_id":44573668049160,"sku":"9783775750820","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5081-3)","offer_id":44573668081928,"sku":"9783775750813","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750646_0dc990c8-4d67-474d-87cb-a88624eb464d.jpg?v=1744116925"},{"product_id":"58089-servermanifest","title":"Servermanifest","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-6d161960-7fff-8d9a-d43a-9af14a7fb241\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIf data is the greatest collective treasure of a digital society, basic material for business and politics: Why are the places where it is stored still so invisible? \u003c\/span\u003eNiklas Maak, architectural critic and Professor for Architecture at St\u0026auml;delschule Frankfurt, explores this question in his new publication and envisions radical solutions for the future.\u003c\/p\u003e\n\u003cp\u003eNIKLAS MAAK (*1972) studied art history, philosophy and architecture in Hamburg and Paris. His 1998 doctoral thesis was devoted to the design theory of Le Corbusier and Paul Valéry. He has been editor for art and architecture in the feature section of the Frankfurter Allgemeine Zeitung since 2001.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5069-1)","offer_id":41645959184561,"sku":"9783775750691","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5071-4)","offer_id":44573668344072,"sku":"9783775750714","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5079-0)","offer_id":44577201553672,"sku":"9783775750790","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750691_34eb8428-b5ed-47ed-9ca5-f26889450bb7.jpg?v=1744287949"},{"product_id":"57565-rosa-barba","title":"Rosa Barba","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-949e7622-7fff-d6a7-cd45-4913da90f3c3\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eEmploying the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present \u0026ndash; a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema.\u0026nbsp; \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eROSA BARBA (*1972, Agrigento, Italy) is an acclaimed artist who works with film. She is the recipient of numerous awards, including the renowned Calder Prize. Her work has been exhibited at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the Schirn Kunsthalle, Frankfurt, and the MIT List Visual Arts Center, Cambridge, MA, among others.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5027-1)","offer_id":41645960396977,"sku":"9783775750271","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5028-8)","offer_id":44573668638984,"sku":"9783775750288","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5029-5)","offer_id":44577201586440,"sku":"9783775750295","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750271_8a0ab8a3-63a9-4450-acba-276b742143b4.jpg?v=1744131864"},{"product_id":"58102-server-manifesto","title":"Server Manifesto","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-3dcaf208-7fff-f124-e5cc-ab4b2e19b318\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIf data is the greatest collective treasure of a digital society, basic material for business and politics: Why are the places where it is stored still so invisible? \u003c\/span\u003eNiklas Maak, architectural critic and Professor for Architecture at St\u0026auml;delschule Frankfurt, explores this question in his new publication and envisions radical solutions for the future.\u003c\/p\u003e\n\u003cp\u003eNIKLAS MAAK (*1972) studied art history, philosophy and architecture in Hamburg and Paris. His 1998 doctoral thesis was devoted to the design theory of Le Corbusier and Paul Valéry. He has been editor for art and architecture in the feature section of the Frankfurter Allgemeine Zeitung since 2001.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5070-7)","offer_id":41645962166449,"sku":"9783775750707","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5072-1)","offer_id":44573669064968,"sku":"9783775750721","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5080-6)","offer_id":44577201619208,"sku":"9783775750806","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750707_fcee29e3-d54e-46a7-be1f-6006ccb441f4.jpg?v=1744287447"},{"product_id":"60064-vittoria-martini","title":"Vittoria Martini","description":"\u003cp\u003e\u003cem\u003eThe Bijlmer Spinoza-Festival\u003c\/em\u003e is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam\u0026rsquo;s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its \u0026ldquo;Ambassador\u0026rdquo;, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this \u0026ldquo;precarious\u0026rdquo; work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian\u0026rsquo;s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls \u0026ldquo;precarious art history\u0026rdquo;. Accompanying the readers through her experience of the physical existence of \u003cem\u003eThe Bijlmer Spinoza-Festival\u003c\/em\u003e, Martini\u0026rsquo;s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind\u0026mdash; elsewhere, at some other time\u0026mdash;because in the meantime it has become universal.\u003c\/p\u003e\n\u003cp\u003eParis-based artist THOMAS HIRSCHHORN (*1957, Bern) is best known for his sculptures in public space (more than seventy to the present day) - monuments, kiosks, altars such as his Bataille Monument which was set up in a residential area in Kassel during documenta 11. Questioning the autonomy, the authorship and resistance of a work of art, he asserts the power of art to touch and transform the other. The Bijlmer Spinoza-Festival (2009) is one of such projects, the Gramsci Monument in The Bronx, New York (2013), and more recently in 2019 the Robert Walser-Sculpture in Biel-Bienne, Switzerland. He represented Switzerland at the 54th Venice Biennale in 2011, and received the Prix Marcel Duchamp, the Joseph Beuys Stiftung Prize, and the Meret Oppenheim Prize, among others.VITTORIA MARTINI is an independent art historian with a focus on the history of exhibitions and the economics of contemporary art. Her main research topic is the institutional, topographic, cultural, and social history of the Venice Biennale.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5262-6)","offer_id":41648778838193,"sku":"9783775752626","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5264-0)","offer_id":44573669327112,"sku":"9783775752640","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5263-3)","offer_id":44573669359880,"sku":"9783775752633","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752640_84f942e9-086a-458f-97b0-2af4279c3ac5.jpg?v=1744287457"},{"product_id":"60038-bettina-lockemann","title":"Bettina Lockemann","description":"\u003cp\u003e\u003cspan\u003eThe photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The\u0026nbsp;artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion\u0026nbsp;complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates\u0026nbsp;precise terms for analyzing this\u0026nbsp;medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. She lives in Cologne.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5268-8)","offer_id":41693648584881,"sku":"9783775752688","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5269-5)","offer_id":44557550059784,"sku":"9783775752695","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5270-1)","offer_id":44557550027016,"sku":"9783775752701","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752688_8c382145-c9f7-419c-8ac5-ff82f774622e.jpg?v=1744049557"},{"product_id":"60035-nadim-samman","title":"Nadim Samman","description":"\u003cp\u003e\u0026ldquo;We are all inside this thing\u0026mdash;but how?\u0026rdquo; This book explores 21st century art\u0026rsquo;s reckonings with the technosphere. Almost unimaginable in its complexity and scale, a man-made megastructure surrounds all of us, and often seems inescapable. Outlining the poetics of encryption that are involved with this infrastructural condition, Samman explores dramatic motifs including confinement, capture, and burial, as well as access and exclusion from secured domains. \u003cem\u003ePoetics of Encryption\u003c\/em\u003e excavates the art of our times as it quests through caves, cables, codes, satellites, and icons. Toggling between enlightened concern and occult dreaming it surveys a counter-intuitive aesthetic of the interface: addressing those who cannot write code, this analogy in contemporary art stages its own \u0026quot;digital,\u0026quot; both virtually and analog.\u003c\/p\u003e\n\u003cp\u003eNADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017).\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5265-7)","offer_id":41693648715953,"sku":"9783775752657","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5267-1)","offer_id":44573669392648,"sku":"9783775752671","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5266-4)","offer_id":44573669425416,"sku":"9783775752664","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752657_7c62795c-6c71-4b9e-87be-ab1d95d3d674.jpg?v=1744288840"},{"product_id":"60033-bettina-lockemann","title":"Bettina Lockemann","description":"\u003cp\u003e\u003cspan\u003eThe photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. 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The \"software\" of the art museums has developed: museums \"work to design the institutions of open, inclusive, experience -oriented, culturally more voice, technologically more experienced, in close connection to the neighborhood and audience and committed in the decisive topics of our time\". But the \"hardware\" of the art museum must also change. 20 architectural firms illustrate new approaches - not only by architect that has built some of the most famous institutions in the world, but also by the up -and -coming, globally networked generation, which will shape the museum of the future.\u003c\/p\u003e\u003cp\u003eAndrás Szántó (*1964, Budapest) advises museums, cultural institutions and leading brands on cultural strategic questions. His writings appeared as the author and editor in the New York Times, in the Art Forum, in the art newspaper and many other publications. He headed the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, which lives in Brooklyn, has been talking to leading representatives of the art world since the early 1990s, among other things as a frequent moderator of the Talk series Art Basel Conversations.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5276-3)","offer_id":41761661190321,"sku":"9783775752763","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5277-0)","offer_id":44573669622024,"sku":"9783775752770","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5278-7)","offer_id":44573669654792,"sku":"9783775752787","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752763_617c7de4-d71a-4a60-987a-43c144ea8c0e.jpg?v=1744040819"},{"product_id":"59937-hans-uhlmann","title":"Hans Uhlmann","description":"\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 6pt;\"\u003eLike many advanced artists of his time, Hans Uhlmann also suffered from the rule of the National Socialists. Politically clear on the left, he was arrested in 1933 and detained for almost two years. In this phase, diaries and sketchbooks were created, which are published for the first time in this volume and are of particular value in various ways: based on their, the emergence of a unique artistic position can be followed up and authentic insights into everyday prison life under the swastika. They provide information about the importance of the drawing in the work of Uhlmann, which is often primarily received as a sculptor, and about its inner rearing against the injustice regime.\u003c\/p\u003e\u003cp\u003eHans Uhlmann (1900–1975), who is known for his metal work, is one of the most important German artists of the post -war period. From 1950 he was a professor at the HDK Berlin and took part in numerous large exhibitions, such as the Biennale São Paulo, Documenta or Biennale Venice.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5252-7)","offer_id":43541643362568,"sku":"9783775752527","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5274-9)","offer_id":44573669490952,"sku":"9783775752749","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5275-6)","offer_id":44573669458184,"sku":"9783775752756","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752527_235d2e62-3a61-4245-9d58-b189d77a5f39.jpg?v=1744096535"},{"product_id":"59030-realty","title":"Tirdad Zolghadr","description":"\u003cp\u003eHow can the Economics of the Land Grabbing be overcome - also with the means of art? This publication provides concrete suggestions. The effects of pandemic on mobility are a historical opportunity. Rarely was criticism of the extractive logic of the art world louder. Realty is a long -term curatorial program by Tirdad Zolghadr (*1973), which was originally commissioned by the KW Institute for Contemporary Art. With the help of artists and experts who contributed to the project between 2017 to 2020, the reader retires the contribution to decisive conversations about urbanism.\u003c\/p\u003e\u003cp\u003eTirdad Zolghadr (*1973) is curator and author. He is currently the artistic director of the Paul Klee summer academy. His curatorial work of the past two decades includes both biennals and research -oriented projects, most recently as an associated curator at the KW Institute for Contemporary Art, Berlin (2016–2020).\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5171-1)","offer_id":43541844853000,"sku":"9783775751711","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5345-6)","offer_id":44573669720328,"sku":"9783775753456","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5343-2)","offer_id":44577201750280,"sku":"9783775753432","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751711_33bd066e-9645-41cd-9cb4-1a1837123cb4.jpg?v=1744127766"},{"product_id":"53775-donatien-grau-living-museums","title":"Donatien Grau. Living Museums","description":"Who actually steers the fortunes of the major art museums? In this volume, Donatien Grau conducts fascinating conversations with some of the world's most influential museum directors. In personal and culturally profound interviews, they discuss their visions, challenges, and the responsibility of making art accessible to an ever-wider audience. Whether it's the Louvre, the Metropolitan Museum of Art, or the Guggenheim: The personalities behind these institutions share their passion for art, cultural policy issues, and the balancing act between art temple and public magnet. The interviews paint a vivid picture of how museums have become central venues of cultural life – and what it means to lead them. With interviews with: Michel Laclotte (Louvre), Sir Alan Bowness (Tate), Sir Timothy Clifford (National Galleries of Scotland), Philippe de Montebello (Met), Irina Antonova (Pushkin Museum), Peter-Klaus Schuster (Staatliche Museen zu Berlin), Sir Mark Jones (V\u0026amp;A), Tom Krens (Guggenheim), Wilfried Seipel (KHM), Henri Loyrette (Musée d’Orsay, Louvre)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDonatien Grau\u003c\/strong\u003e (b. 1987) is a French art critic, curator, and scholar. He writes for leading international publications and works at the intersection of museums, academia, and the public. With his intelligent and incisive voice, he is one of the important commentators on contemporary art, museum practice, and cultural history.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4753-0)","offer_id":44244603207944,"sku":"9783775747530","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4832-2)","offer_id":44573670146312,"sku":"9783775748322","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4798-1)","offer_id":44573670179080,"sku":"9783775747981","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747530_3e2948b1-fd2f-417b-a63f-7a92eb546cf8.jpg?v=1744057147"},{"product_id":"56265-andrs-sznt-the-future-of-the-museum","title":"András Szántó. The Future of the Museum","description":"When museums worldwide had to close in 2020 due to the novel coronavirus, New York-based cultural strategist András Szántó conducted interviews with a number of internationally active museum directors. At a time when economic, political, and cultural changes signal the beginning of a new era, the museum leaders spoke openly about the historical limitations and untapped potential of their institutions. The 28 dialogues in this book each address a specific theme relevant to art institutions today and tomorrow. What emerged from this series of conversations is a composite portrait of a generation of museum directors working to make institutions more open, democratic, inclusive, experimental and experience-oriented, technologically savvy, and culturally polyphonic, aligned with the needs of their visitors and communities, and engaging with the important questions of the societies around them.\u003cbr\u003e\u003cbr\u003eINTERLOCUTORS: Marion Ackermann (Staatliche Kunstsammlungen Dresden), Cecilia Alemani (The High Line, New York), Anton Belov (Garage Museum of Contemporary Art, Moscow), Meriem Berrada (MACAAL, Marrakesh), Daniel Birnbaum (Acute Art, London), Thomas P. Campbell (Fine Arts Museums of San Francisco), Tania Coen-Uzzielli (Tel Aviv Museum of Art), Rhana Devenport (Art Gallery of South Australia, Adelaide), María Mercedes González (Museo de Arte Moderno de Medellín), Max Hollein (The Metropolitan Museum of Art, New York), Sandra Jackson-Dumont (Lucas Museum of Narrative Art, Los Angeles), Mami Kataoka (Mori Art Museum, Tokyo), Brian Kennedy (Peabody Essex Museum, Salem), Koyo Kouoh (Zeitz Museum of Contemporary Art Africa, Cape Town), Sonia Lawson (Palais de Lomé), Adam Levine (Toledo Museum of Art), Victoria Noorthoorn (Museo de Arte Moderno de Buenos Aires), Hans Ulrich Obrist (Serpentine Galleries, London), Anne Pasternak (Brooklyn Museum), Adriano Pedrosa (MASP, São Paulo), Suhanya Raffel (M+ Museum, Hong Kong), Axel Rüger (Royal Academy of Arts, London), Katrina Sedgwick (Australian Centre for the Moving Image, Melbourne), Franklin Sirmans (Pérez Art Museum Miami), Eugene Tan (National Gallery Singapore \u0026amp; Singapore Art Museum), Philip Tinari (UCCA Center for Contemporary Art, Beijing), Marc-Olivier Wahler (Musée d’Art et d’Histoire, Geneva), and Marie-Cécile Zinsou (Musée de la Fondation Zinsou, Ouidah)\u003cbr\u003e\u003cbr\u003ePODCAST RECOMMENDATION\u003cbr\u003e\u003cbr\u003e\u0026lt;iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/6WVTLuPqCcKWNv8fds6LYe?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u003cbr\u003e\u003cbr\u003eANDRÁS SZÁNTÓ (*1964, Budapest), PhD, advises museums, cultural institutions, and leading brands on cultural strategy. As an author and editor, his writings have appeared in the New York Times, Artforum, Kunstzeitung, and many other publications. He directed the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with leading figures in the art world since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4827-8)","offer_id":44244603339016,"sku":"9783775748278","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4828-5)","offer_id":44573670277384,"sku":"9783775748285","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4829-2)","offer_id":44577201881352,"sku":"9783775748292","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748278_9cc9207c-5f74-48a8-88a1-dee2bf4fa67f.jpg?v=1744040845"},{"product_id":"56771-philipp-zitzlsperger","title":"Philipp Zitzlsperger","description":"The design dilemma is based on the history of the separation of design and art since the late Middle Ages. It describes the transformation of design from an art to a problem-solving discipline. This great divergence is accompanied, on the one hand, by myths that construct contrasts between free art and unfree design, between aura and loss of aura, or between distance and contact. On the other hand, the avant-gardes have often invoked the unity of art and design, which museums and marketing are also taking up again today. To better understand design's flickering between art and non-art, its 600-year history of ideas in the fields of art and industrial history, as well as the philosophy of pragmatism since about 1900, is now traced for the first time. Special attention is paid to the original ideas and their reshaping by technicism, capitalism, functionalism, and Darwinism. These lead to the design dilemma that shapes the \"attitude\" of its actors.\u003cbr\u003e\u003cbr\u003ePHILIPP ZITZLSPERGER (b. 1965) is a professor of art and design history and pro-dean for research at the Department of Design at Hochschule Fresenius (University of Applied Sciences) as well as a private lecturer at the Institute for Art and Visual History at Humboldt-Universität zu Berlin.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4863-6)","offer_id":44244603371784,"sku":"9783775748636","price":14.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4886-5)","offer_id":44573670375688,"sku":"9783775748865","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4887-2)","offer_id":44577201914120,"sku":"9783775748872","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748636_453f49be-96cf-4aa8-bdca-ec550b9be1a5.jpg?v=1744126263"},{"product_id":"53856-tal-sterngast-zwoelf-bilder","title":"Tal Sterngast. Twelve Pictures","description":"The Gemäldegalerie of the Staatliche Museen zu Berlin is known for its outstanding collection of European masterpieces from the 13th to the 18th century. Each of the twelve chapters of this book is dedicated to a painting from the collection. The compilation reveals painting as it discovers itself and, in doing so, becomes a medium for expressing modern subjectivity. The paintings discussed here unfold in their artistic questions, which are also our own. In which paradoxes do artworks created by women emerge? How does the ancient urge to destroy artworks influence today's discourse on art? Where did painting's modern struggle against the image begin and how did it manifest itself? Why does the Wild Man from the German Renaissance still haunt us today? And why is it unimportant to know whether Jan Vermeer used an optical device when painting or not? \"Twelve Paintings\" is an ode to the topicality of the Old Masters.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/53857-tal-sterngast-twelve-paintings?_pos=1\u0026amp;_sid=eaec051c8\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eTAL STERNGAST (*1972, Israel) studied photography and film in Jerusalem, London, and Berlin. She has published numerous essays and articles on contemporary art and films in international newspapers and magazines and has curated exhibitions. This volume is based on the series \"Alte Meister\" (Old Masters), which Sterngast published from 2017 to 2019 in the weekend supplement of the tageszeitung.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4766-0)","offer_id":44244603437320,"sku":"9783775747660","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4906-0)","offer_id":44573670408456,"sku":"9783775749060","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"E-book - PDF (978-3-7757-4908-4)","offer_id":44573670441224,"sku":"9783775749084","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747660_eac89129-ebb7-4316-81a6-9f0dc86d9d94.jpg?v=1744139479"},{"product_id":"65345-das-kunstpublikum","title":"The art public","description":"In addition to production and dissemination, reception is the third major research area in art history. Typically, the focus is on individual reception. The Art Audience. A Short History, on the other hand, for the first time examines the significance of a necessary but often overlooked actor in the art world. Pictorial and written records from all eras document audience behavior and the varying assessments by artists, collectors, and critics.\u003cbr\u003e\u003cbr\u003eBätschmann demonstrates that experts in the art system constantly oscillate between two extremes: they are either skeptical of the audience and disdain its taste, or they flatter the masses and seek their applause.\u003cbr\u003e\u003cbr\u003eOSKAR BÄTSCHMANN (*1943) is one of the most important art historians of our time. He taught in Zurich, Freiburg i.Br., Giessen, and Bern, and held extended research fellowships at the Getty Center, Santa Monica, the Bibliotheca Hertziana, Rome, and the Center for Advanced Study in the Visual Arts at the National Gallery of Art, Washington, D.C. Bätschmann's books, including Einführung in die kunstgeschichtliche Hermeneutik and Ausstellungskünstler, are considered classics in the field.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5527-6)","offer_id":44367893070088,"sku":"9783775755276","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5528-3)","offer_id":44573669818632,"sku":"9783775755283","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5529-0)","offer_id":44573669851400,"sku":"9783775755290","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755290_6b4e0ada-8144-45e5-8811-7e6903e6e2b3.jpg?v=1745308913"},{"product_id":"65366-story-of-water-and-fire","title":"Story of Water and Fire","description":"Story of Water and Fire is a compelling account of the shared lives of two central figures in the Iraqi art scene, poet and art critic May Muzaffar and artist Rafa Nasiri. This literary text provides an insight into the social and artistic milieu of Baghdad from the 1960s to the 1990s, as well as the couple's travels and their years in exile in Amman and Manama. Through vivid descriptions and rarely seen photographs, May Muzaffar offers insights into her position in the Arab and international art scene. The book serves as a guide to the archival material that the al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi has digitized and made available to scholars.\u003cbr\u003e\u003cbr\u003eMAY MUZAFFAR (b. 1940, Baghdad) is a poet, author, art critic, and translator. After graduating with a degree in English literature from the University of Baghdad in 1961, she has published seven volumes of poetry and five collections of short stories in Baghdad, Beirut, and Amman. She is the author and editor of numerous art publications, with a focus on the art of Rafa Nasiri. She is a patron of Rafa Nasiri's artistic legacy and has organized an annual prize for graphic works in his name since 2014.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5545-0)","offer_id":44503956357384,"sku":"9783775755450","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5574-0)","offer_id":44573670637832,"sku":"9783775755740","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5546-7)","offer_id":44577201946888,"sku":"9783775755467","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755450_87363c6e-c0af-434c-8475-b1019533ef18.jpg?v=1744137996"},{"product_id":"53857-tal-sterngast-twelve-paintings","title":"Tal Sterngast. Twelve Paintings","description":"The Gemäldegalerie of the Staatliche Museen zu Berlin is known for its outstanding collection of European masterpieces from the 13th to the 18th century. Each of the twelve chapters in this book is dedicated to a painting from the collection. In their entirety, they reveal a kind of painting that discovers itself and thereby becomes a medium for expressing modern subjectivity. The paintings discussed here unfold in their artistic questions, which are also our own. In what paradoxes are artworks created by women? How does the ancient urge to destroy artworks influence today's discourse on art? Where did painting's modern struggle against the image begin and how did it manifest itself? Why does the Wild Man from the German Renaissance still haunt us today? And why is it unimportant to know whether Jan Vermeer used an optical device when painting or not? \"Twelve Pictures\" is an ode to the topicality of the Old Masters.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/53856-tal-sterngast-zwoelf-bilder?_pos=1\u0026amp;_sid=d2131990a\u0026amp;_ss=r\"\u003eGerman\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eTAL STERNGAST (*1972, Israel) studied photography and film in Jerusalem, London, and Berlin. She has published numerous essays and articles on contemporary art and films in international newspapers and magazines and curated exhibitions. 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Among his most famous strokes of genius is certainly \"Fountain,\" the exhibited urinal. But there are, of course, many more works bearing his signature, 92 of which are housed in the Schwerin Duchamp Collection. The research center, founded in 2009, succeeded in establishing interdisciplinary and globally networked research on Duchamp in Schwerin. Under the title \"Marcel Duchamp: The Invention of the Present,\" works and groups of works from the Schwerin collection are examined from a philosophical, art historical, and literary perspective in the 5th volume of the Poiesis series.\u003cbr\u003e\u003cbr\u003eMARCEL DUCHAMP: Actually Henri-Robert-Marcel Duchamp (1887–1968) is considered one of the pioneers of Dadaism and Surrealism. His views radically questioned the conventional concept of art and introduced the readymade into the art world.\u003cbr\u003e\u003cbr\u003eKORNELIA RÖDER: Studied art history at Humboldt University in Berlin. 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Together, they paint a portrait of an art world attempting to adapt to a rapidly changing society. \u003cbr\u003e\u003cbr\u003eINTERLOCUTORS:\u003cbr\u003e\u003cbr\u003eRefik Anadol, Albert-László Barabási, Ana Brzezińska, Larissa Buchholz, Diana Campbell, Joshua Citarella, Michael Connor, Jonathan Crockett, Marcello Dantas, Simon Denny, Ophelia Deroy, Souleymane Bachir Diagne, Léuli Eshrāghi, Thomas Girst, Holly Herndon \u0026amp; Mathew Dryhurst, Noah Horowitz, Isaac Julien, William Kentridge, Mona Khazindar, Agnieszka Kurant, José Kuri, Pablo León de la Barra, Sylvain Levy, Mia Locks, Carol Yinghua Lu, Miranda Massie, Atsuko Ninagawa, Tokini Peterside-Schwebig, Yoram Roth, Alain Servais, Marc Spiegler, Calum Sutton, Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani, Fatoş Üstek, Olav Velthuis, Ge Wang, Mariët Westermann, Dustin Yellin\u003cbr\u003e\u003cbr\u003eAndrás Szántó (b. 1964, Budapest) advises museums, cultural institutions, and leading brands on cultural strategy. A writer and editor who directed the National Arts Journalism Program at Columbia University, his writings have appeared in the New York Times, Artforum, The Art Newspaper, and many other publications. Based in Brooklyn, Szántó has been conducting conversations with leading art world figures since the early 1990s, including as a frequent moderator of Art Basel Conversations and as host of the Global Museum Leaders Colloquium at the Metropolitan Museum of Art and the Museums of Tomorrow Roundtable at the Fine Arts Museums of San Francisco.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5912-0)","offer_id":50539892670728,"sku":"9783775759120","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5913-7)","offer_id":50539892703496,"sku":"9783775759137","price":24.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-6143-7)","offer_id":51882310992136,"sku":"9783775761437","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775759120_4932ef53-a5af-4745-9f19-08942c4f16ff.jpg?v=1766069484"},{"product_id":"82112-legende-und-realitaet","title":"Legend and Reality","description":"Max Beckmann is considered one of the most thoroughly researched artists of Classical Modernism. Since his death in 1950, more than 4,500 publications have appeared. The National Socialist era, during which he was defamed as a \"degenerate artist,\" and his emigration represent turning points in his biography. Surprisingly, however, Beckmann's life and work during the years 1933–1945 have rarely been systematically examined on a critical source basis until now. This research gap was addressed by the symposium organized by the Kaldewei Kulturstiftung and the Max Beckmann Archive of the Bayerische Staatsgemäldesammlungen in Munich in May 2024. This volume brings together the multifaceted contributions from the conference and opens new perspectives on the artist's work.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-6028-7)","offer_id":52845893386504,"sku":"9783775760287","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-6043-0)","offer_id":52908653412616,"sku":"9783775760430","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-6044-7)","offer_id":52908653641992,"sku":"9783775760447","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775760287.jpg?v=1763802777"},{"product_id":"9783775763424","title":"Michael Glasmeier. Vagabonding in the pictorial space.","description":"In 1917, the writer Robert Walser published his short story \"The Walk\". In 1987, this text inspired the artist Nanne Meyer to create a series of drawings, which are published here for the first time. Both share a practical and methodical love for wandering. Their attentive and inspiring walks in nature and everyday life find artistic expression in their style, in their writing or drawing.\u003cbr\u003e\u003cbr\u003eMICHAEL GLASMEIER (b. 1951) is an art historian, essayist, publicist, exhibition organizer, writer, and taught as a professor at the art academies in Weimar, Braunschweig, and most recently Bremen from 1992 to 2016. He lives in Berlin.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-6342-4)","offer_id":57659298087176,"sku":"9783775763424","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-6354-7)","offer_id":57659298119944,"sku":"9783775763547","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-6355-4)","offer_id":57659298152712,"sku":"9783775763554","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775763424.jpg?v=1777502277"}],"url":"https:\/\/hatjecantz.com\/collections\/hatje-cantz-text.oembed?page=2","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}