{"title":"September Sale - Bestseller","description":"\u003cp\u003e\u003cstrong\u003eDiscover our most popular art books and choose your favorites at a special price.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\n  Get 20% off one book, 30% off two or more books, and 40% off four or more books.\n  The discount is automatically applied at checkout.\n\u003c\/p\u003e","products":[{"product_id":"51371-100-norwegian-photographers","title":"100 Norwegian Photographers","description":"\u003cp\u003eCurated and edited by the artist Ina Otzko, \u003cem\u003e100 Norwegian Photographers \u003c\/em\u003eis a magnificent volume of photos from today\u0026rsquo;s Norwegian photography scene. Otzko gives one hundred contemporary photographers from her country the space to show their best images, including renowned figures such as Dag Alveng, Jonas Bendiksen, Knut Bry, Morten Krogvold, Annemor Larsen, Crispin Gurholt and Mikkel McAlinden. With several double pages for each photographer, the book is a vivid archive of Norwegian photography, uniting the most diverse genres, from landscapes to portraits, experimental photography to snapshots. It provides an extensive overview of the mysterious country in the north, the land of glaciers and fjords, showing it in brilliant facets\u0026mdash;witty, absurd, poetic, political, special.\u003c\/p\u003e\n\n\u003cp\u003eINA OTZKO (*1972, Alsten Island, Norway) is an artist and independent curator. She holds masters from Goldsmiths, London and Udk, Berlin. Her work is exhibited internationally. In 2018 she was awarded the new art prize Twendeprisen for her work as a visual artist and for her engagement with the arts in Norway and abroad.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811846005000,"sku":"9783775746106","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746106_00e9084b-1c76-4e3e-a6ca-a6d4c7ce3f3d.jpg?v=1744037499"},{"product_id":"52595-heiter-bis-wolkig","title":"Heiter bis wolkig","description":"\u003cp\u003e\u0026ldquo;Fair to cloudy\u0026rdquo; is a prognostication regularly made on the evening weather report, promising everything and nothing. Homeland\u0026mdash;what is it, and how do you recognize or identify it? Three young photographers travel across the country searching for what is \u0026ldquo;typically German,\u0026rdquo; something that is both fascinating and disconcerting to them. On their journey from Husum to Donaueschingen they take a serene and self-ironic look at life in the provinces, with all of its peculiarities and unquestioned traditions, which puts a smile on everyone\u0026rsquo;s face. This raises the question of whether there might be something of all this in us, too. These amusing photos are accompanied by a foreword by Frank Goosen, who, with no less wit, traces German lives and superficialities in an historical survey from the 1960s to the present day.\u003c\/p\u003e\n\n\u003cp\u003eDAVID CARRE\u0026Ntilde;O HANSEN (*1978, Madrid), SVEN STOLZENWALD (*1986, Neuss), and CHRISTIAN A. WERNER (*1980, Weimar) met at the Hochschule Hannover, where they were all studying documentary photography. Heiter bis wolkig is their collaborative final exam project. Besides working as freelance photographers, all of them are busy with (social) documentary photography projects. The author FRANK GOOSEN (*1966, Bochum) travels on the lecture circuit all over Germany, generally by train.\u003cbr \/\u003e\n\u003cbr \/\u003e\nEXHIBITION\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eFreelens Galerie, Hamburg\u0026nbsp;\u003c\/span\u003e\u003cbr \/\u003e\nJune 24\u0026ndash;August 12, 2021\u003c\/p\u003e\n\n\u003cp\u003eHaus der Geschichte, Bonn,\u0026nbsp;U-Bahnstation Heussallee\/Museumsmeile\u003cbr \/\u003e\nJune 28, 2021\u003cspan style=\"text-transform: uppercase; caret-color: rgb(0, 0, 0);\"\u003e\u0026ndash;\u003c\/span\u003eSpring\u0026nbsp;2022\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197047048,"sku":"9783775746687","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746687_e23237f7-739f-42a7-bc1a-891f751b1a29.jpg?v=1744097687"},{"product_id":"17848-paul-bulteel","title":"Paul Bulteel","description":"\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US; mso-bidi-font-family: TheSansOsF-ExtraLight'\u003eWaste: like the air we breathe, it is part of life. When badly managed, it destroys habitats on land, pollutes the air, and befouls our rivers and oceans. For human populations this translates into major health issues. Avoiding excess consumption and recycling waste are therefore crucial. But what does recycling really mean? Although the term is familiar, hardly anyone can form a mental picture of what recycling actually entails. Belgian photographer Paul Bulteel takes on this task in a series of striking and highly illuminating photographs of what happens when our discarded paper, metal, glass, plastic, appliances, clothing and countless other industrial byproducts and leftovers are broken down and transformed into new materials. Visually fascinating and well documented, these images give us food for thought.\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874839195912,"sku":"9783775741057","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741057_ef1aaf0b-0f6f-4757-99f6-d1e99662b6aa.jpg?v=1744124294"},{"product_id":"44341-alessandro-twombly","title":"Alessandro Twombly","description":"\u003cp\u003eUnlike the sculptures by his father Cy Twombly, who assembled them as if they were collages composed of found pieces, Alessandro Twombly\u0026rsquo;s (*1959 in Rome) works are organic\u003cspan dir=\"RTL\"\u003e-\u003c\/span\u003elooking sculptures made from a single piece of material. They recall fossilized coral, hardened streams of lava, objects found on the beach, or statues of archaic divinities. As different as they are from one another in appearance, they all invoke the elementary forces of nature. Their dynamic shapes visualize the idea of metamorphosis, the eternal transformation that is the basis for growth. Marks of Twombly\u0026rsquo;s work are left on the surfaces of some of the sculptures, which are first cast in plaster or clay, and then in bronze or resin. In this survey of his work, which features Twombly\u0026rsquo;s sculptures from 1986 to 2016, one can see the processes and developments that have been inscribed in the material.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811859439880,"sku":"9783775743846","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743846_cf70320b-3763-4ca9-bfd7-8b53ee8c17cb.jpg?v=1744039128"},{"product_id":"58549-david-hockney","title":"David Hockney","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-0c85b6bd-7fff-b879-8cf8-db87ffe14a71\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThis catalogue for the exhibition at Kunstmuseum Luzern covers the entire oeuvre of the outstanding British artist David Hockney. With more than 80 paintings, drawings, and prints, this life\u0026rsquo;s work spans Hockney\u0026rsquo;s London student years, the 1960s in Los Angeles, the reorientation of his painting in the 1980s, a decade of Yorkshire landscapes, and his most recent, monumental iPad drawings. These works from the Tate\u0026rsquo;s collection form the magical essence of this vast oeuvre, including the double portraits \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eMy Parents\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e and\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003e Mr and Mrs Clark and Percy\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, or the iconic \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eA Bigger Splash.\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e The essays illuminate Hockney\u0026rsquo;s socialization in the young queer culture of 1960s England; personal contributions and recollections by Frank Gehry, Marieke Lucas Rijneveld, Ed Ruscha, Christine Streuli, or Ali Smith mark Hockney\u0026rsquo;s great significance for contemporary everyday culture.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\u003cp\u003eDAVID HOCKNEY (*1937) spent his childhood in Yorkshire. During his studies at the Royal College of Art, he first attracted public attention in 1961. Since then he has advanced to become one of the most important contemporary artists. In addition to painting, he works as a draftsman, graphic artist, stage designer and photographer.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755201077512,"sku":"9783775751216","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751216_d79337fc-c391-467e-94e2-69007fd8450c.jpg?v=1744054083"},{"product_id":"43654-jan-toeve","title":"Jan Töve","description":"\u003cp\u003eWhat is it like to return to the place of one\u0026rsquo;s childhood? When one returns to the countryside, far away from the hustle and bustle of the city, far from one\u0026rsquo;s own life and creative work? Jan T\u0026ouml;ve\u0026rsquo;s photographs of his home region are lyrical dabs of memory, the wide-eyed absorption of changes, a laconic stocktaking of a present-day somewhere. For a period just short of ten years (2007\u0026ndash;16), the Swedish photographer and publicist returned time after time, at\u003cbr \/\u003e\ndifferent points during the year, portrayed landscape as well as inhabitants, and discovered an individual rhythm. He was interested in how people deal with their surroundings, traditions, and the challenges posed by nature. In this series, T\u0026ouml;ve, who has produced numerous publications with photographs of nature and landscapes, found new\u003cbr \/\u003e\nstructures and forms, for instance a recurring red that runs through the entire book\u0026mdash;perhaps the signal of a defiant situatedness, a want-to-be-and-stay-here.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526235840776,"sku":"9783775743587","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743587_9a3b9460-c82c-4e9f-9f00-537b76ef2e2f.jpg?v=1744102094"},{"product_id":"17599-lina-bo-bardi-100","title":"Lina Bo Bardi 100","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: 'TheSansOsF ExtraLight'\"\u003eThe Italo-Brazilian architect Lina Bo Bardi (1914\u0026ndash;1992) forged a unique path with her bold designs. Spanning architecture, stage sets, fashion, and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful en\u0026shy;gagement with her adopted country of \u003c!--?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eBrazil\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, its cul\u0026shy;ture, society, and politics, and she productively and provocatively voiced her sometimes radical views through designs, exhibitions, and writings. On the oc\u0026shy;casion of Lina Bo Bardi\u0026rsquo;s one hundredth birthday, this richly illustrated volume presents an overview of her oeuvre and highlights iconic buildings, such as her own home, the so-called Casa de Vidro, the Museo de Arte de \u003cst1:city w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eS\u0026atilde;o Paulo\u003c\/st1:place\u003e\u003c\/st1:city\u003e, and the cultural center SESC Pomp\u0026eacute;ia. (German edition ISBN 978-3-7757-3852-1)\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans\"\u003eExhibition: Pinakothek der Moderne, Architekturmuseum der TU M\u0026uuml;nchen, 14.11.2014\u0026ndash;22.2.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755218936072,"sku":"9783775738538","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738538_dec6106e-cf35-4c30-89af-651130fdc1f9.jpg?v=1744111121"},{"product_id":"56753-schule-des-augenblicks","title":"Schule des Augenblicks","description":"\u003cp\u003eAlthough it is still a relatively young art form, photography is characterized by a changeability and richness of facets that is unparalleled. Initially, as the \u0026ldquo;pencil of nature,\u0026rdquo; it amazed its viewers because it was able to capture reality itself on glass and paper. But soon it shone through its possibilities for artistic \u003cem\u003emise en sc\u0026egrave;ne.\u003c\/em\u003e Digital photography and its possibilities of manipulation multiply the expressive dimensions of the photographs to infinity. Ian Jeffrey takes us on a journey into the history of photography, where the great masters of this extraordinary medium pay their respects. As with a photograph itself, the most important stages in the development of this extraordinary medium are illuminated in order to finally arrive at a comprehensive picture of an inexhaustible wealth of creativity.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eIAN JEFFREY (*1942) is a writer and art historian who has intensively studied the history of photography. He was a tutor and professor at Goldsmiths, University of London and is the recipient of the J. Dudley Johnston Award of the Royal Photographic Society, Bath.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808346185992,"sku":"9783775748612","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748612_f7580686-e848-4a16-9613-c3fadebd6ee6.jpg?v=1744133564"},{"product_id":"58777-michael-wesely","title":"Michael Wesely","description":"\u003cp\u003e\u003cspan style=\"white-space: pre-wrap;\"\u003eThere is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate \u0026ldquo;four guests\u0026rdquo; inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building\u0026rsquo;s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr \/\u003e\nThis book is published on the occasion of the re-opening of the Neue Nationalgalerie, Berlin, August 2021. It is a slightly altered special edition of the original numbered edition of April 2021.\u003c\/p\u003e\n\u003cp\u003eThe photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. 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Her art, with its unique and immediately recognizable character, draws on elements of Mexican folk art, pre-Columbian culture and Surrealism.\u003cbr \/\u003e\nWith over 100 works from Frida Kahlo\u0026#39;s groundbreaking oeuvre, this volume is an ideal introduction to the work of this painter. Roxana Vel\u0026aacute;squez, a leading international authority on Kahlo, guides us through the artist\u0026#39;s life and work with a fresh and varied look at Kahlo\u0026rsquo;s captivating but rarely shown paintings as well as the well-known masterpieces.\u003c\/p\u003e\n\u003cp\u003eThe Mexican artist FRIDA KAHLO (1907–1954) holds one of the most important positions in 20th-century art. Her painting combines elements of Surrealism with influences from the popular culture of Latin America, but also allows the “Magic Realism” of Neue Sachlichkeit to shine through.ROXANA VELÁSQUEZ is the director of the San Diego Museum of Art. She enjoys international recognition as an expert on Frida Kahlo and has curated major exhibitions on her work, such as Frida Kahlo 1907–2007 and the National Homage at the Palacio de Bellas Artes, Mexico-City, in 2007.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755237581064,"sku":"9783775752060","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752060_45ab4044-0ace-4911-af57-6ea8a5ceece5.jpg?v=1744066013"},{"product_id":"17785-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; BACKGROUND: white; mso-ansi-language: EN-US\"\u003eIn her drawings Jorinde Voigt (*1977 in Frankfurt am Main) develops a kind of semantic code that seems extremely subjective and individual, yet is subjected to strict rules and systems. In the process her notations create visual spaces that employ an artistic, philosophical procedure to unfold the world in its fundamental parameters, such as distance, speed, direction, frequency, pop charts, genres, and much more, while at the same time revealing the simultaneity of all these things.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; BACKGROUND: white; mso-ansi-language: EN-US\"\u003eThis volume features drawings from the 32-part cycle, \u003cI style=\"mso-bidi-font-style: normal\"\u003eLudwig van Beethoven, Sonatas 1-32\u003c\/I\u003e, in which the artist attempts to use music as the theme without illustrating or interpreting it. Here, according to Voigt, the greatest challenge was “to develop a method of notation capable of extracting the emotional range that is inscribed in Beethoven’s music.”\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4042-5)","offer_id":41645960888497,"sku":"9783775740425","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Book (signed) (978-6-00002687-5)","offer_id":41645960921265,"sku":"9786000026875","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740425_343bba59-f692-404c-95fd-b0e9fdaa0bc5.jpg?v=1744104092"},{"product_id":"60192-louise-bourgeois","title":"Louise Bourgeois","description":"\u003cp\u003eThis book provides a comprehensive overview of the fabric works from the last two decades in the career of legendary artist Louise Bourgeois. \u0026ldquo;I\u0026rsquo;ve always had a fascination with the needle,\u0026rdquo; she said, \u0026ldquo;the magic power of the needle. The needle is used to repair damage. It\u0026rsquo;s a claim to forgiveness.\u0026rdquo; This body of work began when the artist started incorporating clothes from all stages of her life into her art, and later expanded to include a range of other textiles such as bed linen, handkerchiefs, tapestry, and needlepoint. The fabric works mine the themes of identity and sexuality, trauma and memory, guilt and reparation, and serve as metaphors for emotional and psychological states. The catalogue \u0026ndash; which accompanies the exhibition at the Hayward Gallery, London, and the Gropius Bau, Berlin \u0026ndash; features works from numerous series, including the monumental Cell installations, figurative sculptures, and abstract drawings.\u003c\/p\u003e\n\u003cp\u003eLOUISE BOURGEOIS (1911–2010) is one of the most influential artists of the 20th and 21st centuries, best known for her formally inventive and psychologically powerful sculptures.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526280372488,"sku":"9783775752985","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752985_e043661f-6253-439e-8da2-9b17841e7079.jpg?v=1744112343"},{"product_id":"60284-fred-herzog","title":"Fred Herzog","description":"\u003cp\u003eThe city, which Fred Herzog has documented for more than half a century, no longer exists. As a city flaneur, Duke roamed the streets of Vancouvers and created a portrait of his electorate city, which in the random, in spontaneous the essence of a past era. The scenes he single -in are among the most important series of early color photography. But Herzog only decided in the late 1950s to work almost exclusively with Kodachrome-Diafarb films. \u003cem\u003eFred Herzog. Black and White\u003c\/em\u003e is the first appreciation of a less well -known facet of the photographer's work. The pioneering publication of \u003cem\u003eModern color\u003c\/em\u003e In addition, the band gathers almost graphic scenes from light and shadow and moments of life outside the city. The early black and white recordings create a feeling of melancholy, not nostalgia, that shows that the attraction of Herzog's work lies in his feel for the compression of a psychological state.\u003c\/p\u003e\u003cp\u003eGrowing up in Stuttgart, Fred Herzog (1930-2019) settled in Vancouver in 1953, where he worked as a medical photographer. Only digital pigment printing process enabled him to reproduce the color intensity of the Kodachrome slides recorded with his Leica in the early 2000s. 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In 48 short exemplary image analyzes, Matthias Depoorter shows why painters such as van Eyck, van der Weiden, Massys, Bosch or Bruegel are rightly considered to be newer to this day.\u003cbr\u003eThe oil painting perfected by Van Eyck enabled a different view and ultimately a completely new way to paint that inspired all of Europe. Brilliant colors, an incredible abundance of details and groundbreaking lighting effects are common to all Flemish masters: This band shows that they were thoroughly familiar with the works of the others, borrowed elements and created new things. A mandatory reading for everyone who wants to fall in love with old masterpieces.\u003c\/p\u003e\u003cp\u003eMatthias Depoorter (*1980) is a writer and art historian. He was one of the curators of \u003cem\u003eVan Eyck. 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Many of the stereotypical ideas, for example, about the \"New Woman\" or the \"worker\" (male and female), continue to resonate today, reminding us with their classification of individuals of a problem that also persists in contemporary forms of discrimination. \u003cbr\u003eThe broad spectrum of contributions from art-historical, medical-historical, media studies, and sociological perspectives impressively demonstrates this. An installation by the artist Cemile Sahin, born in 1990, developed specifically for the exhibitions, builds a bridge to the present.\u003cbr\u003e\u003cbr\u003eFEATURING WORKS BY: Hans Baluschek, Rudolf Bergander, Albert Birkle, Richard Birnstengel, Friedrich Bochmann, Steffi Brandl, Gottfried Brockmann, Friedrich Busack, Heinrich Maria Davringhausen, Erich Drechsler, Kate Diehn-Bitt, Rudolf Dischinger, Otto Dix, Hermann Fechenbach, Conrad Felixmüller, Fred Goldberg, Otto Griebel, George Grosz, Lea Grundig, Hans Grundig, Elsa Haensgen-Dingkuhn, Hainz Hamisch, Nini Hess, Olga Hayduk, Karl Hubbuch, Heinrich Hoerle, Lotte Jacobi, Grethe Jürgens, Alexander Kanoldt, Annelise Kretschmer, Paula Lauenstein, Lotte Lesehr-Schneider, Elfriede Lohse-Wächtler, Jeanne Mammen, Hanna Nagel, Gerta Overbeck-Schenck, Lotte B. 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The mixing palettes and their colors vividly tell the story of a painting's creation. Alexandra Loske vividly and engagingly describes the palettes, brushstrokes, and techniques of over fifty artists from the 17th century to the present day, including Artemisia Gentileschi, Paul Cézanne, Berthe Morisot, Vincent van Gogh, Gabriele Münter, Henri Matisse, and Keith Haring: a colorful history of painting told through its materials!\u003cbr\u003e\u003cbr\u003eALEXANDRA LOSKE is an art historian and works as an author and curator with a particular interest in the history of color in painting, printing, and architecture. 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In the playful format of an A–Z book, the author takes us on a journey of discovery, showing how new views and perspectives can always be gained from what we thought we already knew.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65491-caspar-david-friedrich?_pos=1\u0026amp;_sid=3e44f8eda\u0026amp;_ss=r\"\u003eGerman\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eCASPAR DAVID FRIEDRICH (1774 – 1840) is the most significant artist of German Romanticism. Born in Greifswald, he studied at the Royal Danish Academy of Fine Arts in Copenhagen and settled in Dresden from 1798. His landscape compositions are characterized by deep introspection and melancholy. 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The Fondation Beyeler is dedicating an exhibition to this global phenomenon, featuring landscape paintings from the late 19th and early 20th centuries from Scandinavia, Finland, and Canada. In addition to works by renowned painters such as Edvard Munch, Akseli Gallen-Kallela, and Hilma af Klint, it also presents paintings by artists who are highly respected in their home countries but, unjustly, have remained practically unknown in Central Europe. Finally, the Nordic visual worlds of Harald Sohlberg, Gustaf Fjæstad, Emily Carr, Tom Thomson, and Prince Eugen of Sweden will be introduced to a broad audience. Other artists featured in the exhibition and catalog include Ivan Shishkin, Anna Boberg, Helmi Biese, Lawren S. Harris, and J. E. H. 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The conversations also discuss the methods and materials that have diversified over the past 40 years, and explore how these determine Grosse's insights into the possible forms of the painted image. Supplemented by a rich trove of partly unpublished images, the volume opens up a multi-faceted panorama of the artist's radical way of thinking and working.\u003cbr\u003e\u003cbr\u003eKATHARINA GROSSE (*1961 in Freiburg i. Br.) held professorships at Weißensee Academy of Art Berlin (2000–2009) and at the Kunstakademie Düsseldorf (2010–2018). Her works are represented in numerous international collections. Most recently, the Albertina in Vienna dedicated a solo exhibition to her (Why Three Tones Do Not Form a Triangle, 2023\/24); currently, the Centre Pompidou – Metz is showing three expansive in-situ works (Déplacer les étoiles, until February 2025). 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