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Influenced by her experiences of war and migration, Simone Fattal has transcended the boundaries of both media and geography like few other artists of her generation. In her collages, she combines pieces from her private archive with historical events in the Arab world. Made up of individual parts and reassembled, these works suggest the fragility of an identity shaped by migration. Her more abstract ceramic sculptures reference ancient myths and archaeological finds. Fattal’s first solo exhibition in Germany is accompanied by the artist’s first comprehensive monograph, which combines essays by long-time companions with new scholarly contributions by international authors.
Elmgreen & Dragset: Spaces is the first comprehensive publication to focus exclusively on the artist duo’s large-scale installations. Since the early 2000s, Elmgreen & Dragset have transformed conventional exhibition spaces into both familiar and unexpected environments. These spaces invite visitors to question the social, cultural, and political structures that pervade everyday life. Art historical essays and comprehensive desriptions of past exhibitions provide an illuminating overview of important aspects of their work.
Henri Matisse is one of the most celebrated artists of Modernism. His groundbreaking work had a significant influence on his contemporaries and many subsequent artists to this day. The retrospective at the Fondation Beyeler spans all of the artist’s creative periods. Beginning with the paintings from around 1900, the show advances through the revolutionary Fauvist paintings, the experimental works of the 1910s, the sensual paintings from the Nice period and the 1930s, and culminates in the legendary cut-outs of his late period. Drawing on Charles Baudelaire’s poem Invitation to the Voyage from 1857, the exhibition and catalogue are conceived as a journey through Matisse’s work and life.
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In Shadow Paintings, Adrian Ghenie awakens the lost works of Egon Schiele, which have only survived in black and white photographs, and dissolves the boundaries between reality and abstraction.