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Graffiti's avant-garde nature and transgressive relationship with private property challenge art norms. Born in the 1960s, it reached a fever pitch in 1990s New York after the end of the train era in 1989.
Focusing on the 1990s—a decade of unpredictability and innovation—this book traces graffiti’s evolution and its sensibilities within broader social currents. Through striking visuals and incisive text, we follow their vanguard’s vision of creativity: combinational, exploratory, and transformational. Accompanied by the vanguard’s stories, commentary and their artworks from private collections, this is the groundbreaking chronicle of an era that redefined the rules of art.
Yayoi Kusama is one of the most influential figures in contemporary art. Celebrated for her polka dots and mirror rooms, she creates immersive visual worlds of striking intensity. This catalogue offers a comprehensive overview of more than seven decades of her work—from painting and sculpture to installation, performance, and literature. Alongside iconic works, it presents early pieces never before shown in Europe as well as new productions. A distinctive fold-out dust jacket lined with mirror foil turns the book itself into an object of art.
SCIENCE+TECHNOLOGY+ARTS explores the groundbreaking legacy of the European S+T+ARTS Initiative. Bringing together visionary projects, best practices, and expert perspectives, the book reveals how collaborations between art, science, and technology drive innovation, inspire new ways of thinking, and shape cultural and societal change across Europe and beyond.
NEWS
EARSNOT, IRAK crew founder, in conversation with Hugo Martinez, tracks 1990s New York graffiti, visual autonomy, and media identity representations.
Art as Perspective: Our Fall 2026 program inspires, questions, and instills confidence.
In an exclusive interview, artist duo Lake Verea discusses their deeply personal book project Modern Barragán and their more than twenty-year dialogue with the architecture of Luis Barragán.
The Future of the Museum - András Szántó in conversation with Victoria Noorthoorn