INTERVIEW WITH JEAN MOLITOR
From Bremen to Burundi, the photographer Jean Molitor’s goal is to create an archive of modern global architecture. To satisfy his Bauhaus enthusiasm, he’ll risk being arrested from time to time.
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INTERVIEW WITH YAN WANG PRESTON
An old tree in the middle of a modern city, it was replanted for a lot of money. In China's metropolises, this happens every day. Photographer Yan Wang Preston talks to Spiegel Online about her photo project and the business with trees.
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INTERVIEW WITH LEONARD HURZLMEIER
Leonhard Hurzlmeier’s colorful oil paintings depict archetypal images of women involved in everyday life. He spoke with curator and editor Christian Ganzenberg about portraits of women in art history and about the difference of painting women and men.
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INTERVIEW WITH DANIEL SANNWALD
London based artist-come-photographer, Daniel Sannwald has released his book entitled, Spektrum, showing the best works of recent years. He spoke to Felicity Carter at Forbes Magazine about his start off in the industry,  his aesthetics and inspirations.
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INTERVIEW WITH OLA KOLEHMAINEN
Ola Kolehmainen spent three years traveling through Europe, photographing sacred places. He told Spiegel Online about the tricks he used to light the enormous interiors—and why the guards at Hagia Sophia are like siblings to him.
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INTERVIEW WITH GIANLUCA GALTRUCCO
Los Angeles-based Italian Gianluca Galtrucco has found images full of situational comedy that blur the line between reality and staging. Nadine Barth talks to him about his illustrated book For your Consideration.
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INTERVIEW WITH NANCY BOROWICK
When Photojournalist Nancy Borowick’s parents—Howie and Laurel—were diagnosed with stage IV cancer and simultaneously underwent treatment, she did the only thing she knew how—she documented it. By turning the camera on her family’s life during this most intimate time, Borowick learned a great deal about herself, family, and relationships in general.
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INTERVIEW WITH GERHARD RICHTER
"Art is never just content but always form." For the first time, Gerhard Richter gives a detailed insight into the origins of his famous 1260 Farbfelder (1260 color fields). He left the color composition to coincidence - as a provocation against the color cult of a Josef Albers or Max Bill.
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INTERVIEW WITH KATHARINA DOHM
The Schirn Kunsthalle in Frankfurt will be the first museum in Germany in almost thirty years to present a survey of works by Georges Seurat. Barbara Luik, Marketing Hatje Cantz, spoke with Katharina Dohm, Curator at the Schirn Kunsthalle.
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