Name: Kunst und Gesellschaft 1972–2022–2072
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Coverbild Kunst und Gesellschaft 1972–2022–2072

Kunst und Gesellschaft 1972–2022–2072

Von der Kunst für die Olympischen Spiele in München 1972 zu künstlerischen Gestaltungskonzepten des 21. Jahrhunderts

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Edited by: Anton Biebl, Elisabeth Hartung

Texts by: Tanja Baar, Anton Biebl, Britto Arts Trust, Michael Buhrs, Alice Creischer, Clémentine Deliss, Maurin Dietrich, Thomas Eller, Jasmine Ellis, Rebekka Endler, Sagal Farah, Laszlo Glozer, Elisabeth Hartung, Anna Heringer, Max Jorge Hinderer Cruz, Christian Kandzia, Larissa Kikol, Christine Sun Kim, Alexander Kluge, Jakob Lena Knebl, Barbara Könches, Michael Lentz, Anna-Angela Libal, Julienne Lorz, M+M, Goshka Macuga, Thomas Mader, Marny Garcia Mommertz, Barbara Mundel, Catherine Nichols, Angelika Nollert, Hans Ulrich Obrist, Britta Peters, Raumfragen Neuperlach, raumlaborberlin, Lorena Herrera Rashid, Hanno Rauterberg, Pedro Reyes, Kay Schiller, Rüdiger Schöttle, Mareike Schwarz, Elisabeth Spieker, Daniela Stöppel, Heinz Schütz, Tobias Staab, Matthias Stadler, Gerfried Stocker, Jana Kerima Stolzer, Corinna Thierolf, Joanna Warsza, Manfred Weihe, Susanne Witzgall, Miriam Zadoff, Cao Yu, Lucas Zwirner

Graphic Design: Studio Pandan, Berlin

German

December 2023, 352 Pages, 120 Photos

Lay-Flat Binding with Flaps

212mm x 284mm

ISBN: 978-3-7757-5491-0

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Since the advent of modernity, art has been associated with freedom, provocation and courage. In 1972, art was to unfold its potential as an emancipatory and creative force as part of the Gesamtkunstwerk of the XX. Olympic Games in Munich—according to the grand vision of its planners. The international avant-garde of the time, including Walter de Maria, Gerhard Richter, Andy Warhol and Dan Flavin, enthusiastically developed revolutionary concepts. Many of these remained in draft-form. After the tragic assassination of Israeli athletes, concepts such as the “Spielstraße” were canceled. This publication is the first to give an impression of the playful, participatory cultural programme of 1972. In the second part of the book, a multitude of voices from all over the world look to the future. International authors and artists use contemporary examples to convey the importance of the arts in shaping the democratic society of the future.

This title is also available in English.