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Cover ZusammenSpiel
ZusammenSpiel
Tabea Blumenschein - Ulrike Ottinger
Book (978-3-7757-5243-5 )
German, English
€ 33,61 € 57,14
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Cover Otti Berger
Otti Berger
Weben für die modernistische Architektur
Book (978-3-7757-5641-9)
English, German
€ 42,02
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Cover Michael Wesely
Michael Wesely
New National Gallery 160401_201209 (new edition)
Book (978-3-7757-5129-2 )
English, German
€ 21,01 € 42,02
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Cover Daniel Rode
Daniel Rode
Again and Again (Special Edition)
Deluxe edition (978-3-7757-5294-7 )
German, English
€ 107,56
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Cover Louise Amelie
Louise Amelie
Missing Member: Kyrgyzstan-A Country on the Move
Book (978-3-7757-5557-3 )
English, Russian
€ 36,97
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Cover REALTY
REALTY
Beyond the Traditional Blueprints of Art & Gentrification
Buch (978-3-7757-5171-1)
English
€ 20,17
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Cover Brigitte Waldach
Brigitte Waldach
Shimmer - Marta Award of the Wemhöner Foundation 2020
Book (978-3-7757-4852-0 )
German, English
€ 25,21
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Cover Hannah Höch
Hannah Höch
Unknown Rarities - The Collection in the Reinickendorf Museum
Book (978-3-7757-5479-8 )
German
€ 23,53
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Cover Jonathan Monk
Jonathan Monk
A Bit of Matter and a Little Bit More
Book (978-3-7757-5260-2 )
German, English
€ 19,16 € 31,93
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Ebook
Cover György Lukács
György Lukács
Notes on Georg Simmel's lectures, 1906/07, and on "Sociology of Art," ca. 1909
Ebook - EPUB (978-3-7757-3034-1)
English, German
€ 3,35
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Cover Claudio Gobbi
Claudio Gobbi
Arménie Ville. A visual essay on Armenian architecture
Book (978-3-7757-4115-6 )
English, Italian
€ 37,82
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Cover Die Stadt
Die Stadt
Of becoming and passing away
Book (978-3-7757-2659-7)
German, English
€ 48,74
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Cover Ostzeit
Ostzeit
Tales from a bygone land
Book (978-3-7757-2486-9 )
German, English
€ 33,45
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Cover Bilder über Bilder
Bilder über Bilder
Painting, Graphics, Object Art from the Daimler Art Collection 1908 - 2010
Book (978-3-7757-2730-3 )
German, English
€ 37,82
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Cover Never Ending Stories
Never Ending Stories
The Loop in Art, Film, Architecture, Music, Literature, and Cultural History
Book (978-3-7757-4365-5 )
English
€ 42,02
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Cover Never Ending Stories
Never Ending Stories
The Loop in Art, Film, Architecture, Music, Literature, and Cultural History
Book (978-3-7757-4364-8 )
German
€ 13,45 € 42,02
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Cover Zelle
Zelle
Arwed Messmer
Book (978-3-7757-4185-9 )
German, English
€ 37,82
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Cover Neues Museum
Neues Museum
Friederike von Rauch/David Chipperfield
Buch (978-3-7757-2376-3)
German, English
€ 25,04
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Cover Das MoMA in Berlin
Das MoMA in Berlin
Masterworks from the Museum of Modern Art, New York
Special Edition (978-3-7757-1580-5 )
German
€ 24,37
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€ 16,81
€ 16,81
  • Lovis Corinth. Then came Berlin!
    Bestseller
    Lovis Corinth. Then came Berlin!
    The importance of Lovis Corinth (1858–1925) for modern art can hardly be overstated. Even during his lifetime, the painter was one of the most significant figures in the Berlin art scene. Born and raised in Tapiau, East Prussia, he moved from Munich to the imperial capital in 1900. At that time, Berlin was already significantly more progressive than the Bavarian residential city. "It only started in Berlin," Corinth is said to have commented on his success story on the Spree.

    The exhibition and catalogue focus on Corinth's career and his great influence on the city's art scene, but also on his formative private environment. Less known topics also show how modern the artist painted, lived, and thought: Corinth's painting school, where he primarily taught women, and his work for the Berlin theater.

    Lovis Corinth (1858–1925) is one of the most important representatives of German Impressionism. Born in East Prussia, the painter studied in Königsberg, Munich, and Paris before rising to become a leading figure of the Berlin Secession. His extensive oeuvre ranges from portraits to nudes and landscapes. At the beginning of the 20th century, he became one of the most important representatives of modern art.
    € 36,97
    € 36,97
  • Das rosafarbene Cover des Buches Post Truth von George Byrne zeigt ein Foto einer Palme vor pastellfarbenen, geometrischen Wänden.
    Bestseller
    George Byrne. Post Truth

    Turning what architect Rem Koolhaas famously referred to as “junkspace”, the spatial flotsam of the Anthropocene, into candy-coloured dreamscapes, George Byrne depicts the gritty urbanism of Los Angeles in sublime otherworldliness. Arriving a decade ago, the Australian artist was immediately enthralled by the sprawling cityscape, mesmerized by the way the sunlight transformed it into two-dimensional, almost painterly abstractions, underpinned by a distinctive pastel color palette. Extending his practice beyond the confines of the lens by extracting elements from various images, his series Post Truth dwells in the liminal space between real and imagined. Reassembling the urban landscape into striking, ascetic collages of color and geometric fragments, Byrne creates postmodernist oases in the metropolis that masterfully harness the malleability of the photographic medium. Byrne’s compositions evoke associations with Miami Beach’s Art Deco, the Memphis Group’s designs, as well as the work of David Hockney or Ed Ruscha, and at the same time tap into the specific aesthetics of today’s visual culture played out on Instagram. They are filled with a sense of suspended reality—and never fail to convey a feeling of joy.

    Born in Sydney in 1976, GEORGE BYRNE graduated from Sydney College of the Arts in 2001, and traveled extensively before settling in Los Angeles in 2010. Today, he is internationally recognized for his large-scale photographs shot with medium-format film. Byrne has exhibited internationally and is currently represented by galleries in Sydney, Shanghai, Los Angeles, Toronto, Vancouver, Oslo, Mumbai and Taipei. In 2020, he was named the Minimalist Photographer of the Year.

    Das rosafarbene Cover des Buches Post Truth von George Byrne zeigt ein Foto einer Palme vor pastellfarbenen, geometrischen Wänden.
    Ein rosafarbenes Buchcover mit dem Titel Post von George Byrne, daneben ein Fotodruck. Beide zeigen Palmen vor minimalistischer, pastellfarbener Architektur.
    From € 53,78
    From € 53,78
  • Buchcover für Dürer für Berlin, das eine detaillierte Zeichnung eines bärtigen Mannes in einem Gewand auf grünlichem Papier zeigt.
    Bestseller
    Dürer für Berlin
    The collection of Albrecht Dürer's drawings and prints in the Berlin Kupferstichkabinett is one of the most important worldwide. Featuring 130 works, including masterpieces such as the Apocalypse or the portrait of Dürer's mother, the eventful history of the collection itself is now presented: from the beginnings of the Berlin Cabinet in 1831, through the Gründerzeit and National Socialism, to the division of the holdings and their reunification in 1994. The catalog highlights the cultural-historical significance of Dürer's staging for national identity formation and a "Dürer scandal" in 1871, which triggered one of the first academic attribution controversies in German art history in the founding year of the German Empire. Through spectacular acquisitions, which propelled the Kupferstichkabinett's collection to its current world-class status, it was rehabilitated, Dürer's work was made accessible for research, and milestones in art reproduction were set. This catalog offers insights into Berlin's treasured repository.

    ALBRECHT DÜRER (1471–1528, Nuremberg) is one of the most significant artists of all time in the German-speaking world. He lived at the turn of the Late Gothic and Renaissance periods and profoundly shaped both epochs: the Late Gothic as an innovative master, the Renaissance as a curious, creative, and influential co-creator. His extensive oeuvre includes more than 100 engravings, approx. 250 woodcuts, and more than 1000 drawings.
    Buchcover für Dürer für Berlin, das eine detaillierte Zeichnung eines bärtigen Mannes in einem Gewand auf grünlichem Papier zeigt.
    Das Buchcover zu Dürer für Berlin zeigt eine Zeichnung auf grünem Papier, die einen bärtigen Mann in einem langen Gewand von hinten darstellt, wie er nach oben blickt.
    From € 25,21
    From € 25,21
  • Der Garten
    Bestseller
    Der Garten
    "The Garden: Its History in 333 Pictures" by Hans von Trotha is a unique tribute to the art of gardening and its cultural-historical significance. This art historical work reveals the garden's role as a living total work of art that has inspired artists, thinkers, and designers for centuries. With 333 fascinating illustrations spanning over 1000 years, this book presents the garden as a mirror of our cultural history and an expression of the deep connection between humanity and nature.

    From the Renaissance to modernity, from botany and architecture to painting and sculpture: Hans von Trotha takes us on an inspiring journey that illuminates gardening in all its facets. The garden becomes the stage for philosophy, design, literature, and technology, demonstrating how worldviews and aesthetic trends develop and are reflected within it. This book is a must-have for lovers of garden art, art history, and for anyone who wants to discover the diverse facets of the garden as a cultural phenomenon.

    HANS VON TROTHA (*1965) is a renowned German historian, author, and journalist specializing in garden literature and the history of garden art. After studying literature, history, and philosophy in Heidelberg and Berlin, he published numerous works on the cultural history of the garden. His well-known publications include "The English Garden" (1998), "In the Romantic Garden" (2016), and "The French Garden - Around Paris" (2022). His acclaimed novel "Pollak's Arm" (2021) about the famous Laocoön statue has been translated into several languages. Hans von Trotha is considered one of the leading voices in garden art history, passionately conveying the cultural and historical significance of gardens and landscapes with great expertise.
    Eine stilisierte, blau-grüne Zeichnung einer historischen Parkanlage mit Menschen in barocker Kleidung. Darüber steht in großen, orangen Buchstaben der Buchtitel: Der Garten, von Hans von Trotha.
    Der Garten
    From € 32,76
    From € 32,76
  • National-Galerie
    Bestseller
    National-Galerie
    Michael Werner is one of the most internationally influential gallery owners of the post-war period. His first exhibition in 1963 caused a scandal, as did many thereafter. But for him, it was never about provocation for its own sake, but always about the possibilities of art to resist rigid structures and assert its own reality.

    In this book, Werner tells of his childhood during World War II and the struggles of finding his way. He reports on artists with whom he worked, argued, failed spectacularly, and achieved great successes. His accounts, together with photographs and documents, not only form an impressive contemporary testimony, but also show that the artistic tensions that emerged back then are far from fully explored.

    Michael Werner, born in 1939, is a German art dealer and gallery owner. His gallery Michael Werner, now based in Berlin and which, over the course of his long career, was also represented in Cologne, London, New York, Paris, and Athens, is one of the most internationally influential galleries in post-war history. With it, he sustainably established artists such as Georg Baselitz, A. R. Penck, Markus Lüpertz, Jörg Immendorff, Per Kirkeby, Marcel Broodthaers, and Sigmar Polke.

    Nils Emmerichs, born in 1988, studied art history and philosophy in Düsseldorf, Basel, and Karlsruhe. He earned his doctorate on the influence of visual arts on Heiner Müller's work. For the Kunsthalle Bielefeld, he supervised and curated exhibitions by Michael Majerus, Olaf Nicolai, and Andreas Schulze, and conceived a series of events with Rosemarie Trockel. As an author and editor, he has published texts on Marcel Odenbach, Leiko Ikemura, Ulrich Rückriem, and A. R. Penck, among others.
    National-Galerie
    National-Galerie
    National-Galerie
    From € 18,48
    From € 18,48
  • Lars Eidinger. Who's there?
    Bestseller
    Lars Eidinger. Who's there?
    "Who's there?" is the third book in a trilogy of photo books, following "Autistic Disco" and "O Mensch," all centered on the human condition. "Who's there?" is the question posed at the beginning of William Shakespeare's Hamlet. Then, man, as a representative, enters the stage and asks the essential question of to be or not to be. When Hamlet holds up the skull of the deceased court jester Yorick, it is a gesture of self-reflection. The fool gazes at the fool.

    Captured with a smartphone and a DSLR camera, Lars Eidinger's new photographs were taken in locations such as Tokyo, Kyoto, Shanghai, Istanbul, Berlin, London, Tehran, Sydney, and Paris. They are accompanied by a text from Peter Sloterdijk.

    Lars Eidinger (*1976) is one of the most distinguished actors in film and on stage. As a DJ or as an interpreter of Bertolt Brecht's "Hauspostille," he fills venues nationwide. His photographs and video films have been exhibited at institutions such as K21 of the Kunstsammlung NRW, the Hamburger Kunsthalle, and Galerie Ruttkowski;68. A solo exhibition titled "Who's there?" is planned for autumn 2026 at the Kunsthalle Tübingen.
    € 33,61
    € 33,61
  • Ein Buchcover mit einer Aquarellkarte von Europa über einer Fotocollage, die die Hände einer Schwarzen Person in verschiedenen Posen zeigt. In der Mitte steht der Titel: Stories of Traumatic Pasts, Colonialism, Antisemitism, and Turbo-Nationalism.
    Bestseller
    Stories of Traumatic Pasts

    Belgian colonialism in the Congo. Anti-Semitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today, involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence. This exhibition catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.

    Participating artists Valerie Wolf Gang Nicolas Pommier Joëlle Sambi Nzeba Adela Jušić Lana Čmajčanin Bojan Djordjev Sinisa Ilic Dani Gal Monique Mbeka Phoba Anja Salomonowitz Martin Krenn Arye Wachsmuth Elisabeth Bakambamba Tambwe

    € 31,93
    € 31,93
  • Ein schwarzer Schuber mit zwei Büchern. Der Titel ZUSAMMENSPIEL TABEA BLUMENSCHEIN ULRIKE OTTINGER steht in gelber und magentafarbener Schrift auf dem Schuber.
    Bestseller
    ZusammenSpiel

    “She, a woman of high beauty, created like no other to be Medea, Madonna, Iphigenia, Aspasia, decided one sunny winter day to escape her loneliness and to leave La Rotonda. She bought a ticket ‘Aller jamais retour. Berlin Tegel’.” This is the opening scene of Ulrike Ottinger’s momentous 1979 film Ticket of No Return—the woman of high beauty was Tabea Blumenschein. Unconcerned by all conventions, Blumenschein adored transformation: in a distinctive, avant-garde aesthetic, the two women embraced various different identities and challenged many norms, in the process revealing the performativity of gender. Initiating a dialog between the two artists’ perspectives, these books bring together for the first time Blumenschein’s drawings with Ottinger’s photographs from their joint performance sessions.

    ULRIKE OTTINGER (*1942, Constance) is one of the most import- ant German filmmakers. Moving to Berlin in 1973, she became a pioneer of avant-garde cinematography. Ottinger’s photographic works, feature films and documentaries have been shown at major international festivals and retrospectives, including the MoMa in New York, Berlinale, the documenta and the Venice Biennale.TABEA BLUMENSCHEIN (1952–2020) was a cult figure of West Berlin’s queer feminist subculture in the 1970s and 80s. For about ten years, she played a key role in Ottinger’s films as leading actress and costume designer, and was part of legendary avant- garde punk collective Die tödliche Doris. In the 1990s she withdrew from the public, yet remained active as an artist until her death.

    € 33,61
    € 33,61
  • Ein Schwarz-Weiß-Foto einer Gruppe von sechs Personen und einem kleinen Hund, die auf einer Straße in der Stadt posieren. Es ist das Buchcover von Catching Strangers von Alexander von Reiswitz.
    Bestseller
    Alexander von Reiswitz. Catching Strangers
    The book combines photography and literature in a unique project. Over a period of 15 years, photographer Alexander von Reiswitz photographed randomly selected individuals in various countries and cultures on four continents who happened to be in the same place at the same time, portraying them as supposed families in staged family portraits. These chance encounters stimulate new, fictional narratives. Renowned writers were invited to develop stories based on the photographs and to ascribe imaginary family relationships and destinies to the depicted individuals. At the heart of the project is chance, which both creates special moments in photography and brings people together or makes them miss each other in life.

    Alexander von Reiswitz (*1965 in Málaga) lives and works as a photographer and architect in Berlin. His projects with "studio animal portraits" such as "Zoogestalten" and "Animal Stars" have been shown in numerous exhibitions worldwide.
    Ein Schwarz-Weiß-Foto einer Gruppe von sechs Personen und einem kleinen Hund, die auf einer Straße in der Stadt posieren. Es ist das Buchcover von Catching Strangers von Alexander von Reiswitz.
    Eine Gruppe von sechs Personen unterschiedlichen Alters posiert auf einer Straße in der Stadt für das Schwarz-Weiß-Cover des Buches Catching Strangers.
    From € 47,89
    From € 47,89
  • Buchcover für Romeo Alaeffs In der Fremde. Eine nächtliche Aufnahme eines Backsteingebäudes, gesehen durch einen Zaun und dichte, grüne Bäume, mit roten Lichtakzenten auf den Blättern im Vordergrund.
    Bestseller
    Romeo Alaeff

    “Eight years after moving from New York City to Berlin, a feeling of alienation still haunts me. I wander the streets alone at night, camera in hand, trying to find my place in my latest 'home.’” What does "home" mean when one is a stranger living in another country? Artist Romeo Alaeff explores this question in In der Fremde: Pictures from Home, a haunting, cinematic, and evocative survey of Berlin as seen through the lens of an eternal outsider. Framed by Alaeff’s complex familial background, spanning from Yemen to the former USSR, Poland, Israel, and the United States, the photographs are tinged with a deep sense of longing and touch on themes of migration, belonging, and the search for home. Inspiring essays by Yuval Noah Harari, Christian Rattemeyer, Charles Simic, Eva Hoffman, Rory MacLean, Joseph Kertes, and Romeo Alaeff illuminate a wide horizon of perspectives.

    ROMEO ALAEFF (*1970, Brooklyn) lives in Berlin. Originally studying biomedical engineering, he received a BA in photography from Tulane University and an MFA from the Rhode Island School of Design. His works, which often deal with epistemological, psychological, or sociological issues, are exhibited worldwide.

    € 36,97
    € 36,97
  • Das Buchcover von Stefanie Bürkle, Atelier + Labor, zeigt eine weiße, baumartige Skulptur aus kreuzförmigen Elementen in einer Glasvitrine mit Gitterwänden.
    Bestseller
    Stefanie Bürkle: Atelier + Labor

    Whether in works of art or in scientific research, only the results of the creative process have been visible in both art and science. What happens behind closed doors in labs and studios remains as invisible as it is mysterious. The Berlin-based artist and professor of visual arts Stefanie Bürkle (*1966) has now taken on these unfamiliar sites of creation by photographing laboratories and art studios throughout Berlin. Her photographs feature deserted spaces for development and thought, full of materials, tools, experiments, and set-ups whose purposes remain hidden from viewers, which nevertheless allow us to imagine great things. Stefanie Bürkle’s photographs are, in a certain way, about the alchemists’ labs of the present time. They explore the analogies between experimentation and process in both the studio and the laboratory, making it possible for us all to see these workshops of knowledge for the first time.

    Exhibition:
    1.2.–3.3.2019, Museum für Fotografie, Berlin

    € 31,93
    € 31,93
  • Ein Buchcover mit dem Titel Otti Berger: Weaving for Modernist Architecture. Eine Fotocollage in Grün und Schwarz zeigt Porträts der Künstlerin und die Textur eines gewebten Stoffes, überlagert von weißem Text.
    Bestseller
    Otti Berger
    In early 1930s Berlin, Otti Berger, as a female solo entrepreneur, created fabrics that fundamentally changed the understanding of what textiles could be and achieve. For her upholstery designs, curtains, wall coverings, and floor coverings, she worked closely with New Building architects such as Lilly Reich, Ludwig Hilberseimer, and Hans Scharoun. She designed for novel functional demands, thereby redefining the interplay of aesthetics and function – with fascinating results that are still aesthetically and functionally convincing today. Berger's textile work has so far been little researched; the artist Judith Raum succeeds here for the first time in comprehensively presenting the complexity and beauty of her fabrics and bringing them back to life.

    Image credits © Uta Neumann © Florian De Brün

    OTTI BERGER (1898 – 1944) was one of the most important textile designers of the 20th century. Born in Zmajevac, in what was then the Hungarian Kingdom of Croatia, she studied from 1921 – 1926 in Zagreb, and from 1927 at the Bauhaus in Dessau. After teaching at the Bauhaus, she became self-employed in Berlin in 1932 and designed fabric collections for modern interiors throughout Europe. In 1936, as a Jew, she was banned from her profession; attempts to flee to England and the USA failed. In 1944, she was deported from Croatia to Auschwitz and murdered there.

    The visual artist and art historian JUDITH RAUM (*1977), as a result of several research projects on the Bauhaus weaving workshop, is a specialist in Otti Berger's work. This book concludes her multi-year cooperative project with the Bauhaus-Archiv Berlin, for which she has for the first time comprehensively researched Berger's estate, which is scattered across archives worldwide.
    Ein Buchcover mit dem Titel Otti Berger: Weaving for Modernist Architecture. Eine Fotocollage in Grün und Schwarz zeigt Porträts der Künstlerin und die Textur eines gewebten Stoffes, überlagert von weißem Text.
    Eine Fotomontage in Grün- und Schwarztönen auf dem Buchcover von Otti Berger: Weaving for Modernist Architecture. Die Collage zeigt Porträts der Künstlerin und eine Nahaufnahme von gewebtem Stoff.
    From € 37,81
    From € 37,81
  • Eine detailreiche Illustration einer Figur in roten Gewändern, die inmitten von wirbelnden Sturmwolken, Blitzen und fallenden Federn schwebt. Über der Szene steht in großen, gelben Buchstaben das Wort BARIBEAUD.
    Bestseller
    Edouard Baribeaud

    Edouard Baribeaud’s (*1984) art is influenced by his bilingualism and bi-cultural background. The son of a French father and a German mother, he grew up in France, studied in Paris at the École Nationale supérieure des Arts Décoratifs, and has lived in Berlin since 2010. In his works he not only unites different styles, but also allows the everyday to meet the mythical, guiding archaic figures through modern surroundings, and combining actual experiences with imaginary memories. Baribeaud proves that he is a brilliant craftsman and storyteller who draws us into fantastical scenes that fluctuate between East and West.

    Baribeaud’s first monograph presents the following groups of works: The Hour of the Gods (2014-2015), The Nocturnal Vault (2015-2017), and An Old Story for Our Modern Times (2018), along with the artist’s Hermès scarf (2016), accompanied by essays by Imran Ali Khan, Pay Matthis Karstens, and Sabine Thümmler.

    EXHIBITION:
    Galerie Judin, Berlin
    28.4.–9.6.2018

     

    Das Buchcover von BARIBEAUD zeigt eine detailreiche Illustration einer Figur in rotem Gewand inmitten von wirbelnden, grauen Sturmwolken, aus denen Regen und Federn fallen.
    Eine detailreiche Illustration einer Figur in roten Gewändern, die inmitten von wirbelnden Sturmwolken, Blitzen und fallenden Federn schwebt. Über der Szene steht in großen, gelben Buchstaben das Wort BARIBEAUD.
    From € 16,81
    From € 16,81
  • Ein beigefarbener Leineneinband eines Buches mit dem Titel O Mensch in der Mitte, geschrieben in einer schwarzen, kantigen Schrift. Unten links steht das Logo des Verlags Hatje Cantz.
    Bestseller
    Lars Eidinger. O Mensch
    Following "Autistic Disco", "O Mensch" is the new photo book by Berlin actor Lars Eidinger. It combines photographs taken over the last three years with a mobile phone camera and an SLR camera, some of which are much older. Eidinger's pictures only superficially resemble seemingly harmless snapshots. In a society of singularities and blurring boundaries between man and machine, the absurd reality of everyday life appears like a colossal photomontage. Probably from the perspective of an actor who knows that the reciprocal presence of good and evil is the core of every true and touching character, Lars Eidinger creates images that place human ambiguity at the center. The Japanese, Berlin-based poet Yoko Tawada has written short poems in the form of haikus for individual works. This further expands the interpretive space with a poetic dimension.

    Further information about current events with Lars Eidinger can be found here.

    LARS EIDINGER (*1976, Berlin) is considered one of Germany's most distinguished actors, celebrated for his expressive performances of great performative power as a long-standing ensemble member of the Berliner Schaubühne, as well as for his profound and at the same time almost tenderly sensitive portrayals in film. Building on his first photo book, Eidinger increasingly gives photography more space as a form of expression and a means of self-exploration.
    Ein beigefarbener Leineneinband eines Buches mit dem Titel O Mensch in der Mitte, geschrieben in einer schwarzen, kantigen Schrift. Unten links steht das Logo des Verlags Hatje Cantz.
    Ein heller Leineneinband mit dem Titel O MENSCH in einer schwarzen, stilisierten Schrift. Unten links steht das Logo von Hatje Cantz.
    € 33,61
    € 33,61
  • Eine Fotografie des Innenraums der Neuen Nationalgalerie während der Sanierung. Der Boden ist aufgerissen und durch die Fenster ist die Berliner Stadtlandschaft zu sehen.
    Bestseller
    Michael Wesely

    There is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate “four guests” inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building’s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.


    This book is published on the occasion of the re-opening of the Neue Nationalgalerie, Berlin, August 2021. It is a slightly altered special edition of the original numbered edition of April 2021.

    The photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.

    € 21,01
    € 21,01
  • SIMONE FATTAL ERHÄLT DEN GROßEN KUNSTPREIS BERLIN

    SIMONE FATTAL RECEIVES THE GROßER KUNSTPREIS BE...

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    SIMONE FATTAL RECEIVES THE GROßER KUNSTPREIS BE...

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  • JEEWI LEE RECEIVES THE GASAG ART PRIZE

    JEEWI LEE RECEIVES THE GASAG ART PRIZE

    Blog

    JEEWI LEE RECEIVES THE GASAG ART PRIZE

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